In her new solo show "The End is Far" at Manhattan's Jonathan Levine Gallery, the Polish born street artist Olek (please don't say "yarn-bomber") again covers the entire interior of the exhibition space with the sweet poppy palette in which so much of her street work has been sheathed. Possibly new here is the focus on adornment; brocade and appliqué treatments that are deliberately fussy and feminine, and a dining set that curves toward Victorian.
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